I can't even begin to describe how generous potters are in sharing ideas, techniques, glaze recipes etc... Since making pottery is so entirely handmade, every artist will have something different in their piece even if they are making similar items.I have met several potters online and in workshop and all have added so much to my skill set but Ginger Steele truely takes the cake. I have always been struggling with lids. I managed somewhat but was never entirely happy. I spent last weekend at Ginger's studio learning how to make thrown lids for small/big jars, teapots, casseroles. It was all hands on and I gained so much. We also exchanged some patterns and stamps and I am very excited to see how we incorporate it in our work. We made casseroles, jars, pitchers, bowls... etc.. Attached is a picture of some of the work I did and later carved. I did it in her clay so I can get then fired in her kiln. I really like the way the lidded pieces turned out and I have never had such good fitting lids.
One key thing I realized was that I was working with very soft clay, which wasn't letting me manipulate the clay enough for lids seats. The most important thing was to make the lid seat before pulling up the wall. It might be second nature to everyone, but I had not realized this.
One big take away was that I really need to let go and experiment more... not worry about wasted clay, or waste my time thinking about how to use my scraps of clay etc.. etc.. So I am very convinced to purchase a pugmill and I will getting one very soon. I think it will change the way I work, evolving my work in different ways.
I am looking forward to working with her again on her handbuilt work.
